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Who was Clorinda? A multiple choice question.

2/18/2013

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In Georgette Heyer's 'Marmite Novel' (see my last post on the subject!) Regency Buck, 'Clorinda' is the nickname given to Judith Taverner by Lord Worth when she refuses to introduce herself to him at the start of the story. Shortly after giving her this unusual name, he adds insult to injury by stealing a kiss from her: 
“What is your name?" 
"Again sir, that is no concern of yours." 
"A mystery," he said. "I shall have to call you Clorinda."
Later: 
"Judith! What the devil? exclaimed Peregrine. "Has there been an accident?" 
"Judith," repeated the gentleman of the curricle pensively. "I prefer Clorinda.” 
Worth uses the nickname occasionally when he wishes to goad Judith into losing her temper, as in: "Poor Clorinda" 
But who was Clorinda? I came a cross several references to the name, so it seemed a multiple choice question was in order! 
Was she:
a) Clorinda, the Queen of the Shepherdesses, Robin Hood's first love? This Clorinda can be found in verses collected by Francis James Child and published in the late 19th century. Although the publication date is long after Regency Buck is set, the verses themselves range from the 13th to the 18th century, so it is possible that Worth had heard of this Clorinda. In the book, Judith is outraged to be given the nickname 'the milkmaid' so it is possible that her appearance makes Worth think of this country girl analogy.
b) Clorinda was a portrait by Thomas Guest (I have not been able to find a copy of it), which was on display in the Royal Academy in 1811, the year Regency Buck is set. Guest also painted a portrait of Jem Belcher the boxer. Worth was taught to box by Belcher so it is possible he saw Guest's portrait of Clorinda at the same time that he saw that of his tutor.
c) 'The Fair Clorinda (or Clarinda) - who made love to me, imagin'd more than woman' was the subject of a risque poem by Aphra Benn (1640 to 1689). In the poem the female speaker addresses Clorinda as both a 'fair, lovely maid' and 'lovely, charming youth'. There is ambiguity in the poem about Clorinda's sex. Could Worth have used this sexually charged, androgynous (possibly hermaphrodite), name to rile Judith? 
d) 'Sing Fair Clorinda' is a sonnet written by Henry Lawes (1595 to 1662). Worth may have simply meant that Judith resembled the 'fair Clorinda' of the title.
e) ‘Cicilia and Clorinda’, or ‘Love in Arms’ is a 17th-century drama by Thomas Killigrew. The work was first published in 1664. In it, Clorinda is an Amazon or ‘warrior maid’ Judith, we know, is a tall girl and, in the book, she is described as 'an Amazon'. Worth may have used the nickname in reference to both her size and her feisty nature. 
f) Jerusalem Delivered (La Gerusalemme liberata) is an epic poem by the Italian poet Torquato Tasso first published in 1581, which tells the story of the First Crusade. Clorinda, a warrior-maiden, joins the Muslims, and the Christian knight Tancredi falls in love with her. Again, Worth may have been comparing the spirited Judith to the warrior heroine of this poem.
I must stress that I don't know the answer to this question! I know which one I think it is, but there is no way of knowing exactly what Georgette Heyer was trying to tell us about both Worth and Judith with her use of this nickname. Perhaps she wasn't trying to tell us anything at all, maybe she just liked the name ...  

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Georgette Heyer's Marmite Novel

2/16/2013

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I don't think I've come across another Georgette Heyer book that polarises opinion quite the way Regency Buck does. Written in 1935, Regency Buck was the first GH novel to be set during the regency period. 
Blurb 
Judith Taverner is a beautiful, spirited young heiress who, with her younger brother Peregrine, comes to London to join high society. She takes an instant dislike to her unwilling, and high-handed, guardian, Julian Audley, Earl of Worth. He, upon first meeting her in a small town filled with bucks attending a boxing match, treats her in an over-familiar manner. After a shaky start, Judith takes London by storm. Peregrine is a handsome boy who seems to get into an inordinate number of scrapes, some of which actually put his life in danger. Judith's cousin Bernard Taverner is kind and attentive, and she is able to confide her cares to him. 
I like: 
  • Judith’s spirit and her rebellious nature (except when she is with Worth - see below).
  • Worth as the prototype for future Heyer heroes. He has so many of the right ingredients – he is a handsome, arrogant, athletic and sardonic alpha male. He has a droll sense of humour and is a man of fashion. 
  • The cast of real-life characters including the Prince Regent, The Duke of Clarence and Beau Brummell 
  • The character of Beau Brummell. He is charming, understated and witty and his friendship with both Worth and Judith adds to the story. Mr Brummell dominates each scene he is in. 
  • Charles Audley! He is one of the most likable characters in any Heyer book and I would not have blamed Judith if she had fallen in love with him. He thoroughly deserved his own sequel (although An Infamous Army is not a personal favourite). 
  • Georgette Heyer’s meticulous research and scene setting (as always)
  • I like the dark undertones. This book combined the best of Georgette Heyer’s two genres – the historical and the mystery.
I don't like: 
  • The relationship between Judith and Worth – they bring out the worst in each other. Judith is intelligent and feisty but, in Worth’s company, she becomes sulky and spoiled. Worth, as I have said, has all the ingredients of the perfect Heyer hero, but it doesn’t quite work. Future heroes like Alverstoke and Damerel have more flaws, but, somehow, I just like them more. 
  • I'm also not happy with the kiss when they first meet. It's out of character for a 'gentleman' and doesn't fit with the Worth we come to know later in the book. And 'Clorinda' ... well, more about that odd nickname later! 
  • Personally, I’m not fond of Peregrine (although, I do like the name and have used it in my own book!). He comes across as silly and whiny, so I don’t have much sympathy for his plight. 
Because it was her first attempt, I can forgive GH some of the issues in this book. It is as if she was practising the perfect regency romance and I do think she keeps the best elements and uses them well in future novels.

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Mr Darcy versus Mr Beaumaris

2/8/2013

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The recent 200th anniversary celebrations for Pride and Prejudice, started me thinking about Georgette Heyer’s heroes. And, specifically, about how they compare to Fitzwilliam Darcy.
The Heyer hero who appears to me to be most like Darcy is Mr Beaumaris, from Arabella.
There are obvious similarities between Darcy’s first meeting with Elizabeth Bennet and Arabella Tallant’s unexpected descent upon Mr Beaumaris in his hunting lodge.  But are there other ways in which they are alike?
They are of a similar age. Mr Darcy is 28 and Mr Beaumaris is 30. It is also interesting that both men are referred to by their title throughout the book, thus highlighting the formal approach and general 'stand offishness' of the character himself.
Their physical appearance is also similar. I know many people automatically picture Colin Firth when they hear the name ‘Darcy’. I saw Rufus Sewell in the role on stage many years before the BBC adaptation was made and, therefore, he is my Darcy. I don’t have as clear a picture in my head of Mr Beaumaris … but he doesn’t look like either of them!      
Jane Austen introduces us to Mr Darcy with:  
‘… his fine, tall person, handsome features, noble mien; and the report which was in general circulation within five minutes after his entrance, of his having ten thousand a year. The gentlemen pronounced him to be a fine figure of a man, the ladies declared he was much handsomer than Mr. Bingley, and he was looked at with great admiration for about half the evening …’
Georgette Heyer spends much longer on her description of Mr Beaumaris:  
‘Mr Beaumaris’s habitual aspect was one of coldness, and reserve, but sometimes he could smile in a way that not only softened the austerity of his countenance but lit his eyes with a gleam of the purest amusement ... Those who had never seen it were inclined to think him a proud, disagreeable sort of man, though only the most daring would ever have uttered aloud such a criticism of one who, besides possessing all the advantages of birth and fortune, was an acknowledged leader of society.’
‘No one she had ever seen approached the elegance of Mr Beaumaris.’
‘A very good form, too, she noted with approval. No need of buckram wadding, such as that Knaresborough tailor had inserted into Bertram’s new coat, to fill out those shoulders! And how envious Bertram would have been of Mr Beaumaris’s fine legs, sheathed in tight pantaloons, with gleaming Hessian boots pulled over them!  … Arabella was not perfectly sure that she admired his style of hairdressing – he affected a Stanhope crop – but she did think him a remarkably handsome man, as he stood there, laughter dying on his lips, and out of his gray eyes.
’ 
To be continued ...
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