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Byron

4/2/2014

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The most flamboyant and notorious of the major romantic poets, George Gordon, Lord Byron, was the most fashionable poet of his day. He created an immensely popular romantic hero—defiant, melancholy, haunted by secret guilt—for which he also seemed to be the model. He was a celebrity of his time, fodder for the gossip mongers and haunted by scandal. His poetry speaks for itself. Although not strictly gothic in tone, it evokes a gothic mood and atmosphere. 



SHE walks in beauty, like the night          
Of cloudless climes and starry skies;       
And all that 's best of dark and bright     
Meet in her aspect and her eyes:            
Thus mellow'd to that tender light                   
Which heaven to gaudy day denies.       
One shade the more, one ray the less, 
Had half impair'd the nameless grace     
Which waves in every raven tress,          
Or softly lightens o'er her face;   
Where thoughts serenely sweet express            
How pure, how dear their dwelling-place.           

And on that cheek, and o'er that brow,
So soft, so calm, yet eloquent,  
The smiles that win, the tints that glow,                 
But tell of days in goodness spent,          
A mind at peace with all below,
A heart whose love is innocent!
George Gordon, Lord Byron. 1788–1824



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Ann Radcliffe

4/1/2014

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Ann Radcliffe (1764 –1823) was an English author who pioneered the gothic genre. Her style was romantic in its vivid descriptions of landscapes and long travel scenes, and the gothic theme is obvious through her use of the supernatural. It was her technique, with the final revelation of apparently inexplicable phenomena that helped the gothic novel achieve popularity and respectability in the 1790s.
Radcliffe's fiction is characterised by seemingly supernatural events that are then given rational explanations. Her ability to arouse terror and curiosity in her readers by introducing events which are apparently supernatural, but which are afterwards carefully explained by natural means, was widely imitated but never surpassed. Throughout her work, traditional moral values are asserted, the rights of women are advocated, and reason prevails.
Radcliffe published six novels in all: The Castles of Athlin and Dunbayne, Gaston de Blondeville, The Italian, The Mysteries of Udolpho, The Romance of the Forest, and A Sicilian Romance. She also published a book of poetry, but her talent for prose far exceeded her poetic ability.
Little was or is known about Radcliffe's life, so it is not surprising that dreadful stories sprang up about her. It was reported that she had gone mad as a result of her dark imagination and been confined to an asylum, that she had been captured as a spy in Paris, or that she ate raw meat before retiring to stimulate nightmares for her novels. Several times she was reported to be dead. She seems to have been happily married and to have been fortunate in having a husband who encouraged her to write. There is no explanation for why, at the age of thirty-two, the most popular writer of her day stopped publishing. It is though that Radcliffe did not like where gothic literature was headed, and her final novel, The Italian, was written in response to Matthew Gregory Lewis's The Monk. After Radcliffe's death, her husband released her unfinished essay ‘On the Supernatural in Poetry’ which details the difference between the sensation of terror her works aimed to achieve and the horror Lewis sought to evoke.



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